Academy of Art BFA Fashion Styling student Isabelle Eder and MA Fashion Journalism student Faye Harris collaborated on a fashion editorial entitled “Graphic Impact.” Photographed by Shan Lee, the black and white spread is featured in Harris’ Weebly magazine, What It Takes.

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

CREDITS—producer/stylist: Isabelle Eder, BFA Fashion Styling; photographer: Shan Lee; styling assistant: Haley Burgstahler; makeup/hair: Faye Harris, MA Fashion Journalism; model: Carly Rick at Stars Agency

This shoot was produced in the FSH 478 Editorial Styling course, and editorial content was produced by Academy of Art University MA Fashion Journalism students as part of their Fashion Journalism coursework.

First there was Vreeland and Avedon, then Inez and Vinoodh, and Wintour and Coddington—some fashion partnerships just work. Whether a matter of serendipity or fate, finding that longstanding creative companion is a rarity. Academy of Art University Fashion Styling student Chaw Chaw Su San (hyperlink) and Photography student Fujio Emura (hyperlink), however, have that invaluable spark. Together, the ambitious duo produce stunning fashion editorials, many of which have been published in the likes of Vogue Italia (online) and HUF Magazine. Their complementary styles and inspiring work ethics generate a discernible dynamism that can neither be contrived nor feigned. Between classes and photo shoots, the fashion stylist-photographer pair opened up about their inspirations, collaborative process, and post-graduation plans.

“Theory of Subjectivity”

Angela Han: What made you interested in fashion styling?
Chaw Chaw Su San: Since I can remember, I’ve always been interested in what people were wearing and was obsessed with fashion magazines and all imagery related to fashion. Even before going to fashion school, I would style my mom before she went out for special occasions, and I was like a personal shopper to my sister.

AH: What made you interested in photography? Besides fashion, what else do you like to shoot?
Fujio Emura: I wasn’t a good student in high school, but I liked photographing my friends. I didn’t know what else to do so I just decided to learn more about photography. I photograph people a lot, but recently, I’ve been getting into still life, fine art, and documentary.

“Theory of Subjectivity”

AH: What do you look for in a creative partner?
CCSS: I look for a few main things: style, work ethic, communication and compatibility. It’s important that the photographer and [stylist] have a mutual understanding of what the other wants.
FE: Dedication! I also look at how prepared [a stylist] is and his/her ability to make images come alive.

AH: How did you meet Fujio?
CCSS: I knew about Fujio before I even met him. I was styling a look book photo shoot for 2015 BFA Menswear Design alumna Ruone Yan, and Fujio was the photographer. I finally met him on set and we hit it off.

“Everything of you, is everything of me” / Designs by Ruone Yan

AH: You two have a strong dynamic that’s evident in your work. What makes you two compatible?
FE: Chaw Chaw is my own Benjamin Bruno. We naturally clicked. She knows EXACTLY what she wants and isn’t afraid of trying new things—I really like that. Not just as a stylist, but as an individual who seeks to work in the creative industry. When she showed me her sketchbook for the first time, I was in awe because I had never seen a sketchbook so well constructed. Chaw Chaw may be a quiet person, but I could tell she had a very loud mind. I trust her with all my heart and I hope she does with me too! [laughs]

AH: How would you describe each other’s style and aesthetic?
CCSS: Fujio’s approach to photography is romantic, modern and artistic. He uses his unique vision and is able to capture beauty in all forms.
FE: Chaw Chaw’s work is poetic, fragile and exceedingly romantic—the kind of sensibility that can transcend you to someplace else.

“Escape from the Reality”

“Escape from the Reality”

AH: What publications/websites do you go to for inspiration? What other things inspire you?
FE: Inspiration arises everywhere—the shadow a tree casts at 3PM, the sweaty smell of gym showers, the shape of the pipes on the wall, the way a couple kiss in a cafe, the way a homeless man wears his oversized jacket, the way an old lady ties her scarf around her neck. It comes from unexpected places.

AH: Menswear or womenswear? Location or studio? Why?
CCSS: I love both. I used to prefer womenswear, but after doing my menswear shoot “Nostalgic Tendencies” for FSH 284 Photo Shoot Production with Flore Morton, I fell in love with menswear. It’s fun and requires a different approach than womenswear.
FE: Shooting on location definitely helps elevate an image, but I tend to gravitate towards shooting in studios because I have absolute control over what I’m doing.

“Nostalgic Tendencies”

“Nostalgic Tendencies”

AH: Can you describe your preproduction creative process?
FE: I follow the very traditional process of image-making: think, plan and execute. I visualize and create a shot list to help make the shoot day run more smoothly. Scouting the location prior to the shooting day is also essential. But most importantly, I just trust my own instinct.

AH: What was your most difficult fashion shoot? Which shoot is your favorite?
FE: My most difficult [shoot] was “Everything of You, Is Everything of Me.” It was outdoors and the sun was setting faster than I planned so I had to rush everything. I don’t have a favorite shoot. Every single one means a lot [to me] and I always learn something new from each experience. We tend to highlight the success, but there were tons of failures and rejections involved.

“Everything of you, is everything of me” / Designs by Ruone Yan

AH: What is your favorite memory from your time at Academy of Art University? What are the most useful things you’ve learned?
CCSS: The most useful thing I’ve learned at school is how to be creative. I’ve learned how to find, explore, refine, utilize, and challenge my creativity.
FE: I will never forget the feedback I’ve gotten and still get from my teachers and peers.

AH: Do you have any advice for fashion styling students?
CCSS: Learn as much as you can, work hard, trust your instincts, be curious about everything, and never give up. Always question yourself, be kind to people, know your talents and interests, and do what you love!
FE: Do what works best for you, and don’t ever take shit from anybody.

Written by Angela Han, BA Fashion Journalism

By the creators of Inside Deep Throat and The Eyes of Tammy Faye, Mapplethorpe: Look At The Pictures delves into the provocative and convoluted world of Robert Mapplethorpe, the 20^th century photography luminary who was acclaimed for his irreverent and perverse depictions of sexuality and fetishism. The HBO Documentary film is the first feature-length documentary that takes an intimate look at the late artist’s personal and professional life, both of which still garner attention and spark controversy today—25 years after his untimely death.

Mapplethorpe: Look At The Pictures chronicles the influential artist’s life, from his emergence into the New York City art scene all the way through to his premature death and posthumous glory. Featuring over 50 interviews with the artist’s friends, family members, and colleagues, along with never-before-seen content, the documentary unveils and immortalizes the notorious man behind the camera. The film debuts on Monday, April 4^th at 9PM on HBO.

Photo courtesy of Steven Gregory

In anticipation of the upcoming HBO documentary, an art installation popped up in Hayes Valley’s PROXY and showcased a gallery of Mapplethorpe’s most influential photos on March 25 and 26. Images of grand proportions were projected onto the side of black shipping containers. Open at night and set against a cloudless cityscape, the towering exhibit illuminated the area and attracted the attention of locals and art enthusiasts alike. Once inside the container, visitors were guided through a brief compilation of Mapplethorpe’s work. Images were displayed through a series of digital screens, each separated by dividers, which generated a somewhat isolated viewing experience. Voiceovers from the iconic artist accompanied each visual sequence and peeked viewers’ interests and amplified the exhibit’s overall impact. The pop-up installation was also open for viewing in New York City on March 18-19 in the Flatiron District’s north plaza.

With bicoastal art installations, a comprehensive HBO documentary, and complementary retrospectives at The J. Paul Getty Museum and The Los Angeles County Museum of Art, Mapplethorpe is, evidently, the artist du jour whose legacy is invulnerable to transience.

Robert Mapplethorpe and Patti Smith

Born on November 4, 1946, the New York City native pursued his creative propensities by enrolling at the Pratt Institute in Brooklyn. For two years, he majored in Graphic Arts and refined his skills in drawing, painting, and sculpture. During his collegiate years, he met and developed a close relationship with musician and artist, Patti Smith, who would later live with him at the historic Chelsea Hotel. In 1970, a year after Mapplethorpe dropped out of school, he developed an affinity for Polaroid cameras and became enthralled with its raw and sincere results. He incorporated his Polaroid photographs into his mixed media work, believing it was more appropriate and authentic to employ his own images in his collages. Three years later, he presented his first solo exhibit entitled “Polaroids” at the Light Gallery in New York City.

Mapplethorpe’s initial success into photography inspired him to explore deeper into the medium and experiment with different equipment—namely, a Hasselblad medium-format camera that he used to shoot his group of friends, which included the likes of George Dureau, and other artists, musicians and socialites. It was during this time when Mapplethorpe’s curiosity of the underground BDSM scene flourished into a full-fledged fascination that would imminently catapult his career and launch him into prominence.

From his frank depictions of black male nudes to his powerful portrayals of female bodybuilder, Lisa Lyon, Mapplethorpe’s seminal nude imagery elevated the human form and imbued masculinity and homosexuality with arresting elegance and candor. His proclivity for erotic imagery, often centered on taboo subjects analogous to his own sexuality, stirred up controversy in the art realm. While Mapplethorpe’s highly stylized black and white photos undeniably demonstrated his keen eye and technical mastery, they challenged convention and distorted the line between fine art and pornography.

“Robert took areas of dark human consent and made them into art,” said Patti Smith in her memoir, Just Kids. “Without affectation, he created a presence that was wholly male without feminine grace…He was presenting something new, something not seen or explored as he saw and explored it.”

Throughout the 1980’s, Mapplethorpe conducted his shoots in studio and broadened his subject range into nudes and celebrity portraiture. He photographed a number of artist contemporaries including Andy Warhol, Louise Bourgeois, Amanda Lear, and long-term friend and ex-lover Patti Smith. He also grew a penchant for flower still lifes, particularly calla lilies and orchids. As a formalist, Mapplethorpe approached his art in a classical manner with meticulous attention to composition, balance, and idealistic beauty. His work was often redolent with religious and Platonic allusions.

Beyond being visually striking and unapologetically brazen, his work has significant cultural, historical and social impact, particularly his posthumous traveling exhibition “The Perfect Moment,” that inadvertently contributed to the ignition of the ‘90s American culture war.

Mapplethorpe was diagnosed with AIDS in 1986. Despite the affliction, he continued to challenge his creativity for the remaining three years of his life. In 1988, he established his eponymous non-profit organization, the Robert Mapplethorpe Foundation, that promotes photography as an art form and funds medical research regarding HIV and AIDS infection. The American photographer passed away a year later at the age of 42.

Simultaneously graceful yet gruesome, angelic yet sinister, radical yet delicate, Mapplethorpe was far more than a generator of illicit pictures. He was a man defined by duality, driven by controversy, and finally after 27 years, the contrasting pieces have come together to humanize the complex, enigmatic artist.

Written by Angela Han, BA Fashion Journalism. Originally posted on dot429.

Eastern pastoral and classic chinoiserie prints create stunning patterns and nod to the recent wave of oriental-inspired aesthetics. This new and complex silhouette is made simple with graceful long layouts.

Styling: Wei Hsu; Photography: Jayce Park; Model: Brian Palaciio @ Exalt; Assistance: Janet Liu

Written by Quina Jin, originally posted on ShangFrancisco.

This content was produced by Academy of Art University MA Fashion Journalism students as part of their Fashion Journalism coursework.

Angelos Bratis, Yiorgos Eleftheriades, Victoria Kyriakides, Mi-Ro, and Zeus+Dione are five emerging Greek fashion designers who are meant to be the fashion gods of a new era.

Angelos Bratis

Angelos Bratis was born and raised in Athens. From a very early age, he watched his mother in her atelier and made comments while she was crafting her creations for her clients. He studied fashion design in Athens and won a place for a MA course at the Fashion Institute Arnhem, in Netherlands. In January 2003, he debuted at Paris Haute Couture week. His journey in the fashion world was just beginning. In Italy, he collaborates with high-end designers and reaping the attention of the press with his standout designs. He is a great fan of craftsmanship, architecture and geometry. He loves to sculpt his creations directly on the mannequin, so as to create a 360-degree fashion look. His fluid, elegant, architectural designs, not to mention his impeccable technique, characterizes his eponymous collections. In 2011, he won the “Who Is On Next?” competition for emerging fashion designers in Rome, which was organized by AltaRoma in collaboration with VOGUE Italia. Franca Sozzani, Editor-in-Chief of VOGUE Italia, and Suzy Menkes, VOGUE International Editor were among the competition’s jurors. In January 2013, the British Wallpaper* magazine suggested Angelos Bratis as one of the most prominent upcoming designers to watch.

Angelo Bratis SS16; Photo courtesy of Andrea Delbò/WWD

Angelo Bratis SS16; Photo courtesy of Andrea Delbò/WWD

In his Spring/Summer 2016 collection, polka dots were the main motif. Long, fluid, light silk dresses were skillfully draped to accentuate feminine curves. The rounded hems with cutout details in some dresses and skirts created a more graphic style. Also, the cutout circles on the skirts’ fabric created a beautiful pattern playing with shadow and light. Vivid and solid colors including navy blue, purple, white and mustard on silk, chiffon, cotton and jersey created the picture of a confident and sensual woman.

Yiorgos Eletheriades

In 1997, Eletheriades showcased his first women’s Ready To Wear collection. In 1998, he opened his first store in Athens. He is also the co-founder of the Hellenic Fashion Designers Association, which in 2005 launched the inaugural Athens Fashion Week. His collections have been shown in Athens, Paris and Barcelona. He is a lover of classical forms and an environmentally conscious designer. With his clothes, he creates an alternative urban style with very interesting shapes. Quality tailoring and experimental combinations of fabrics and textures are his main targets. For many years, he has created countless bespoke costumes for great theater performances. VOGUE, Harper’s Bazaar, ELLE, and Dazed & Confused are some of the most prominent fashion publications in the world that have featured his work.

Yiorgos Eleftheriades Bridal

Yiorgos Eleftheriades Bridal

Yiorgos Eleftheriades Bridal

“Absence of Necessity” is the name of his Spring/Summer 2016 collection. Geometrical shapes and modern architectural movements are the collection’s main theme, which is translated into asymmetrical folds, pleats and Japanese origami techniques. Eleftheriades gives a lot of attention to tailoring techniques, and it is noticeable in all of his collections. For this collection, he derived his inspiration from 18th century cut pirate jackets, 1920’s boxy elongated silhouettes, and the dramatic flared shapes of couture. The trousers are short, and the skirts – whether short or long – are loaded with panels or folds to create movement. Silk, satin, metallic lace with geometrical patterns and clean, sharp cotton fill the need for clothes with a beautiful touch on the skin. In terms of the color palette, it is neutral with black, white, sand and petrol hues that are offset by a series of ‘optical illusion’ prints inspired by herringbone patterns designed by the visual artist GRAAM, exclusively for Yiorgos Eleftheriades.

Yiorgos Eleftheriades SS16

Yiorgos Eleftheriades SS16

Victoria Kyriakides

Victoria Kyriakides has been creating haute couture collections since the early 2000’s using her unique “sur mesure” French technique. From an early age, she became enamored with beautiful, luxurious fabrics and tailor-made clothing. Her mother loved to have all her clothes bespoken. She introduced her to the concept of couture, which formed the foundation of her deep appreciation for fine fabrics. Every dress she creates is done by hand with the precise measurements of each individual bride. “My dream is to create an exquisite, timeless focal point for a woman to wear on her most important day”, she says. Her style icon is Jackie Onassis because she was a risk taker all the while staying faithful to her own personal style. Kyriakides’ master atelier is located in Athens with an additional showroom in New York City. In September 2015, luxury department store Saks Fifth Avenue announced a partnership with the scrupulous designer.

Victoria Kyriakides SS16

Victoria Kyriakides SS16

Victoria Kyriakides SS16

According to Kyriakides, spring and summer evoke a sense of excitement and renewal, which then translates to images of crashing waves and warm sand beaches. The muses and divinities of the sea inspired her Spring/Summer 2016 collection. The dresses are ethereal and made by the finest French silk and weightless laces. Transparent layering creates an elegant, timeless, yet fashion-forward collection. Billowing ball gowns created from the finest silk organza and French Chantilly laser cut lace create a very inspiring and appropriately sexy look.

Mi-Ro

Mi-Ro SS16

Dimitris Mastrokalos was born in Crete, and finished his studies in graphic design in Athens, when he then decided to continue his studies in fashion design at Veloudakis School of Fashion—one of the top fashion schools in Greece. As a design student, he worked next to a multitude of well-known Greek fashion designers.

Giannis Raptis, born in Corfu, studied marketing at an American college. About twelve years ago, they decided to join forces and make their dream come true. Mi-Ro, the name of their collaborative brand, is now one of the most successful Greek fashion labels with a clientele that any emerging designer would envy. They like to create clothes with emphases on raw materials that are carefully crafted and delicately finished. They have presented their work in Greece, Rome, Serbia, and Paris. They find inspiration everywhere, absorbing whatever their eye catches. The designing duo has particular affinities towards Rihanna and Lady Gaga, who they’d love to dress.

Mi-Ro SS16

Mi-Ro SS16

Mi-Ro SS16

The talented design duo Mi-Ro presented for Spring/Summer 2016 airy dresses from cool summer fabrics like silk, lace and delicate cotton with a 1970s, 1980’s aesthetic. Polka dots, large floral patters, pleated dresses with lacy details, and silky ribbon belts are some of the collection’s main characteristics. Bright pink, various shades of blue, bright orange and earthy colors offer energy and contrast.

Zeus+Dione

Zeus+Dione Resort 2016

Zeus+Dione Resort 2016

Zeus+Dione is a Greek luxury brand that produces handmade products. The brand is characterized by their signature refined and rare craftsmanship, which was heavily inspired by the rich Greek aesthetic heritage. Designs and motives are minimal and crisp, and the exquisite handmade details give a uniqueness
that is the essence of the brand. But the most interesting feature is the loom embroidery technique that is used (one of the oldest Greek techniques) which has become obsolete over the years. All Zeus+Dione products are made by Greek artisans and local workshops that possess long traditions in their craft. Silk and cotton are weaved on traditional looms in the town of Soufli, which is well known about its silk industry. Hand crochet items are knitted by local Cretan and Grecian women. Silver handmade parts of the clothes, such as fastenings, are made by Athenian silversmiths. Dresses and shirts are weaved in Metsovo, a village in Epirus, and Crete. According to designers/founders Mareva Grabowski and Dimitra Kolotoura, Zeus+Dione cater to consumers who seek and recognize quality, for those who want something special and rare.

Zeus+Dione Resort 2016

Zeus+Dione Resort 2016

Zeus+Dione Resort 2016

In their “Olympic” Resort 2016 collection, ancient athletic games were the main theme. Olympic athletes were the focus due to their natural beauty, endurance, perseverance and integrity. Through the collection, the sculptural elements of the human figure are clear, and the designs were redolent of the lightness experience during physical exercise and the volumes shaped through movement. Black, ivory and gold contrasts blended with deep blue and red tones to create a graphic form of lightness. Hints of handmade stitching depicted the artisanal craftsmanship. Handmade sandals and bags were created from leather and raffia under a harmonious fusion of textures and techniques. Last but not least, fine gold and marble jewelry in geometric shapes and different volumes stood out and added the finalizing touch.

Written by Katerina Stamatopoulou, MA Fashion Journalism. Originally posted in Observe Magazine.

This content was produced by Academy of Art University MA Fashion Journalism students as part of their Fashion Journalism coursework.

Academy of Art University Fashion Styling students Bibiana Pina, Lily Ketabi, and Sophia Charles collaborated on a fashion editorial shot at Treasure Island by Photography alumna, Danielle Rueda.

Styling: Sophia Charles, Bibiana Pina, and Lily Ketabi; Photography: Danielle Rueda; Make-up: Hedy Lavinsky; Model: Jamie @ Exalt

Originally featured in UPRISE Magazine by Courtney Wilkins, MA Fashion Journalism.

This content was produced by Academy of Art University MA Fashion Journalism students as part of their Fashion Journalism coursework.

Sketchbook pages from Wendy Ren

Sketchbook pages from Wendy Ren

Flore Morton, School of Fashion’s Assistant Director of Fashion Styling, gave students in her FSH 478: Editorial Styling class the task of analyzing a fashion subculture in preparation for their upcoming photo shoots. BFA Fashion Styling student Wendy Ren chose to research Teddy Boys, and her resulting editorial reflects the origins of the subculture, yet includes a modern, romantic touch.

Vintage jacket and suspenders; shirt: Zara; brooch and pocket square: H&M; pants and socks: AAU Styling closet; shoes: Dr. Martens

Left: vintage jacket; shirt, tie, pocket square, brooch and necklace: H&M; pants: AAU Styling closet Right: jacket, vest, and shirt: H&M; bowtie: Zara; bolo tie: Stylist’s own; pants: AAU Styling closet

Left: vintage jacket; shirt, tie, pocket square, brooch and necklace: H&M; pants: AAU Styling closet Right: jacket, vest, and shirt: H&M; bowtie: Zara; bolo tie: Stylist’s own; pants: AAU Styling closet

Jacket, vest, and shirt: H&M ; bowtie: Zara; bolo tie: Stylist’s own; pants: AAU Styling closet

Trench coat: Burberry; vest: H&M; shirt: Zara; pants and bolo tie: AAU Styling closet

Black suit coat: Goodwill; shirt and pants: Zara; hat and scarf: AAU Styling Closet; shoes: Aldo

Jacket, shirt, and shoes: Zara; pants and hat: AAU Styling closet

Left: jacket, shirt, and shoes: Zara; pants, bolo tie, and hat: AAU Styling closet / Right: jacket: Zara; shirt: H&M
pants: AAU Styling closet; vintage scarf and brooch.

Producer/stylist: Wendy Ren, BFA Fashion Styling; Photographer: Jennifer Miyako McGowan, 2015 BFA Photography alumna; Hair Stylist: Arlanza Lewis; Makeup Artist: Gabriella Slater; Models: Bexter and David @ SCOUT.

It was 1:30pm on Wednesday, May 11th. As we arrived backstage of the enormous open warehouse, we expected to see somewhat of a manic setting as designers were preparing their looks for the first show beginning promptly at 3pm. Yet to our surprise, it was relatively relaxed; the atmosphere was quite intense but still very organized. Everyone was prepared, incredibly focused, and excited.

This is the designer’s moment to shine, and it was finally here. As the models were dressed, last minute expertise was given from Simon Ungless, Executive Director of Fashion — and down the rabbit-hole we went! The music hit, the florescent lights flicked on and the most anticipated moment had finally begun.

The final collections from exceptional student designers were showcased on the runway by graduates who studied Fashion Design, Knitwear Design, Menswear Design, Technical Design, Textile Design, and Jewelry & Metal Arts.

The show opened with the SHOP657 Private Label Collaborative Collection. The students were inspired by both the concept of Alice in Wonderland and the local Tenderloin neighborhood of San Francisco, the designers used bold prints, obscure proportioned silhouettes and animated shapes to make their collaborations come to life.

And we mean literally. The designers gave life to new garments by repurposing the backing cloth from the School of Fashion textile lab print tables. For these epic collaborations, every designer brought their identity, interpretation and perspective through using sustainable tactics and materials.

Each model had a total of three looks with one cohesive makeup and hair style, which made for a smooth transition and flow on the runway.

The theme, – think – “post-apocalyptic tribal with a punk edge” says Victor Cembellin, Senior Makeup Artist for MAC Cosmetics. The idea was a world where there’s no makeup, it’s not pretty-pretty, it’s raw, non-traditional, and mimics elements from movies such as Mad Max and Water World.

Cembellin used MAC Pro Chromacake in Pure White, a clay mask that dried up to give a cracking effect across the brows and upper eyelid area, over an eye gloss— as if the model had literally dipped her hand in clay and smeared it on her face for beautification. Black mascara keeps the makeup semi-gorgeous, while a rusty red pencil in Foxtail on the inside of the eye and on the lips, gives a burnt, in the desert look.

Model, Logan Link, for her second time walking in the show said, “The Academy’s show is the most fun of the year.”

The nomadic badass’s hair, created by senior stylist, Jon Reyman for Spoke & Weal Salon continues the girl’s journey through wonderland, with a “dirty, not too wet, messy ponytail with a twist.” And there was twist indeed. The dreads were smooth, but wrapped in gold ribbon as though she found bits of gold from the Earth; some of the ponytails were extended so long that they almost dragged the dirt along the runway floor.

The jewelry designs captured the renewable earthly elements from the shows post-apocalyptic theme. Designer Neysa Makizuru from Hawaii, used keys, keyholes, and framework dipped in rubber for her collection, while Norwegian metalworks designer Erin Midtskogseter, who collaborated with Bousara Boussard and her brightly-colored sportswear collection, created a kind of armor for protection; arm and shoulder adornments and leg cuffs that incorporated an intricate palette of white knitted-rubber cords.

BFA Designer Ke Zhang used a very fragile textile called organdy in his men’s collection. Designs that are built on soft blues, pinks and white layering captivated from his muse, a Korean-American Artist Do Ho Suh’s transparent fabric sculptures.

“Cotton organdy has the best representation of my inspiration because it’s light, translucent, and matte, unlike organza that reflects a lot of light,” said Zhang,” I want people to focus more on the subtle details of the layering and colors.”

The intent for Zhang with the pajama-like silhouettes, was to capture a lightheartedness to men’s fashion. Whereas BFA Womenswear Designer Wen Jiang was motivated by the linear and angular shapes of pure architecture. Jiang’s entire color-blocking and hand-pressed pleated wool collection of royal blue, grey, purple, fuchsia and white geometric shapes was inspired by Munich based photographer Nick Frank.

“I would like to see my garments go international, because I want to go as big and as wide as I can.” said Jiang in reference to her geometric designs.

Among all the designers, seven graduates collaborated on a capsule collection that will transcend beyond the catwalk and into Academy of Art’s SHOP657 store located on 657 Sutter Street.

While each collection was distinctly different from the next, there was a cohesive message radiating on the runway — a power of unity found among artists. As the show came to a close, with a finale song that paid homage to one of the greatest musical innovators of the 21^st century, Prince, the ideas and imaginations of these young design talents left an emotional mark.

Elisa Stephens, Yarina Yaou and Namrata Loka, Kim Chappell

To conclude a spectacular evening, Kim Chappell, Manager of PR and Community Management at Weebly, announced the winners of the $10,000 scholarship that was offered to the Academy’s MA Fashion Journalism students: Namrata Loka for her magazine Miraya, which explores the changing landscape of Indian fashion through the international lens, and Yarina Yao of Techion Studio, which bridges the gap between the technology and fashion industries.

“We intended to give the award to one student but after receiving the entries, we were truly overwhelmed and couldn’t do it,” says Chappell. “So we picked two winners who will each be awarded $5000.”

Chappell invited both winners to the Weebly Headquarters in San Francisco on Friday May 13th to showcase their respective websites to employees and sharing their experiences working with the platform.

Other awards included:

Kate and Laura Mulleavy for Rodarte – Summer Internship

Kate Mulleavy, Elisa Stephens, Laura Mulleavy, and Celine Sohrabian

Celine Sohrabian, B.F.A. Fashion Design

The Council of Fashion Designers of America CFDA Scholarship Award – $10,000

Bowen Tian and Elisa Stephens

Bowen Tian, B.F.A. Fashion Design

The Council of Fashion Designers of America Geoffrey Beene Design Scholarship Award

Excellence in Technical Design – $5,000

Wei Wang and Elisa Stephens

Wei Wang, B.F.A. Fashion Design

The Council of Fashion Designers of America Liz Claiborne Design Scholarship Award

Excellence in Technical Design – $5,000

Uyen Chloe Tran and Elisa Stephens

Uyen Chloe Tran, B.F.A. Fashion Design

Joe’s Blackbook Scholarship for Best Womenswear Portfolio Scholarship – $10,000

Amanda Nyamach and Elisa Stephens

Amanda Nyamach, B.F.A. Fashion Design

California Fashion Foundation Scholarship for Menswear

Ben Ellis and Elisa Stephens

Ben Ellis, B.F.A. Menswear Design – $1,000

Mickey Boardman for Paper Magazine – Summer Internship

Sasha Leon J, Elisa Stephens, and Mickey Boardman

Sasha Leon, B.A. Fashion Journalism

Lars Byrresen Petersen for Visionaire – Summer Internship

Cecilia Zhang, M.A. Fashion Journalism

Flipboard Awards for Academy of Art University Fashion Journalism students with the most followed and engaged Flipboard magazines received iPads

Faye Harris, M.A. Fashion Journalism

Taisiya Vivien Moon, M.A. Fashion Journalism

Dairia Kymber Harvin, M.A. Fashion Journalism

San Francisco – Paris Sister City Scholarship Exchange in Paris, France

Study at Studio Berçot

Isaac Onofrei, B.F.A. Technical Design

Kori Johnson, B.F.A. Fashion Design

Study at L’Ecole de la Chambre Syndicale de la Couture Parisienne

Vanessa Nash-Spangler, B.F.A. Fashion Design

Alyssa Watson, B.F.A. Fashion Design

New Zealand Exchange at Auckland University of Technology

Wendy Xiaowen Zhang, B.F.A. Knitwear Design

In addition to Kate and Laura Mulleavy for Rodarte, Mickey Boardman, Editorial Director of Paper Magazine, Lars Byrresen Petersen, Digital Director of Visionaire, and Kim Chappell, Manager of PR and Community Development at Weebly, other guests included Alex Brownless, co-founder Arts Thread, Stephanie Sherwood, College Relations Manager of BCBG Max Azria Group, LLC, Andy Shearer, Senior Design & Innovation Recruiter at adidas, designer Ben Copperwheat, designer Zaid Affas, Jill Guthrie, College Design Recruiter for Abercrombie & Fitch, Katherine DeWitt, HR Manager at Abercrombie & Fitch, Douglas Evans and Colin Turek of YMA Fashion Scholarship Fund, Susan Ferguson, Director of Talent Acquisition at St.

John Knits, and Danielle-ah Nakashima, Senior Designer at St. John Knits and 2011 M.F.A. Fashion Design Alumna. Additional recruiters and executives were in attendance from Gap Inc., Old Navy, Pottery Barn, Williams Sonoma, Levi Strauss & Co., and Marmot Mountain.

Written by Tyler Drinnen and Faye Harris, MA Fashion Journalism.

Photo courtesy of High Snobiety

Photo courtesy of Vogue.com

Russian Post-Soviet style streetwear designer, Gosha Rubchinskiy’s creative passion began in photography long before he began designing clothing. He has a preoccupation with Russian’s youth and street culture, which he shows in a series of portraits that he shot for his second photo book, Youth Hotel, with stylist Lotta Volkova. His work was exhibited in Berlin’s contemporary culture magazine, 032c’s gallery space.

S/S16 collection, courtesy of Gosha Rubchinskiy

He told Vogue.com: “For me everything is related. All mediums work hand in hand to create a global Gosha project, a 360-degree view of my ideas.”

Photo courtesy of Vogue.com

Rubchinskiy has been experimenting behind the camera to showcase his recent menswear collection. He’s particularly interested by the power of video, a medium that’s extremely prevalent on his own website, and uses it to capture the mood and attitude of the youth who wear his clothes. ​

Photo courtesy of Vogue.com

Written by Faye Harris, MA Fashion Journalism. Originally posted on What It Takes.

This content was produced by Academy of Art University MA Fashion Journalism students as part of their Fashion Journalism coursework.

Very few fashion stylists can say they’ve worked on set for the likes of Porter Magazine, ELLE, and the San Francisco Chronicle—but BFA Fashion Styling student Britt Moore can. Moore is also signed as the Head Stylist at Look Artists Agency and is the Contributing Fashion Editor for Forbes Magazine—mind you, she’s still in her early 20s. To say she’s extraordinary would be an understatement.

As one of the most compelling stylists at the School of Fashion, Moore was given the opportunity to showcase her boundless imagination in an editorial spread for 180 Magazine’s NYFW issue. With the help of Photography alumni Sarah Brickey, Jeffry Raposas, and Textile Design alumna Mariana Pasos, Moore was able to bring striking textiles to life in a stunning, delightfully eccentric photo shoot, “Print Is The New Black.’

Graduation is on the horizon for Moore, and she’s on the cusp of a new phase in her career. Before she bids adieu to Academy of Art University, she sat down with Styling Instructor Danielle Wallis to talk about the inspiration and process behind her 180 Magazine shoot and to share valuable advice for aspiring fashion stylists. 

Photos courtesy of 180 Magazine

Danielle Wallis: What was your initial concept/inspiration for the photo shoot?

Britt Moore: My original concept for this shoot was collaging together unexpected patterns and bold colors. I strayed away from the collaging idea and focused more on the mixing of patterns.

DW: How would you describe the style and aesthetic of the shoot? (Lighting, art direction, posing, etc.)

BM: The style and aesthetic of the shoot is a play on “randomness.” The art direction I had in mind was to bring in playful elements (i.e. the red dinosaur purse and the “lips” bag). I figured the pieces were playful and extreme, so why not play it up even more? The colored lighting definitely emphasized the idea as well.

DW: For the shoot, you worked with pieces from the collections of Jaci Hodges (MFA Fashion Design) and Nisha Hanna Btesh (MFA Textile Design), Nancy Garcia (MFA Fashion Design), Jinhyun Kim (MFA Fashion Design), and Textile designer Ben Copperwheat. How was the styling process with such color rich garments? What was your strategy for mixing such bold prints together?

BM: Initially, I was a little overwhelmed. I absolutely love a vibrant color story for an editorial, but I struggled to find something that could ground the looks. While I was styling the looks and reworking everything, I realized that I should first focus on classic silhouettes that make sense. Having that as the starting point helped all of the vibrant colors and patterns fall into place with each other.

DW: What words of advice would you like to share with fellow Styling students about the process of styling for a publication?

BM: I would say that they should devote enough time to style each look beforehand. Really get into it! When you have your garments pulled, try to style as many looks as possible and then edit down for what makes sense for the concept/story. I styled about 15 looks before we decided which ones would fit into the editorial. Also, be sure to keep the magazine’s aesthetic and audience in mind.

DW: Which Fashion Styling classes helped you best prepare for this editorial? What skills did you apply that you’ve learned here at AAU?

BM: The FSH 284 Photo Shoot Production class helped prepare me the most. I learned how to build a concept and execute it from start to finish, and that played a big part in how I approached this editorial. Having produced and styled a lot from that class (and outside of class) was great practice and made it easier for me to produce the concept and styling for the 180 Magazine editorial.

DW: Do you have any general comments or advice you would like to share with your peers in the Fashion Styling program?

BM: Don’t lose your creativity! It’s important to be able to access amazing clothes, but don’t forget to really go for interesting concepts. Stay away from creating content that’s already been done and seen before. And remember, your sketchbook is your best friend. I still use mine!

#SayWhat?

That’s right! The Fashion School is now on Snapchat.

Want to watch the ins & outs, ups & downs and all arounds of being an Academy of Art University Fashion student? Now you can! Add us on Snapchat and get a personal look at what goes on at #AcademyUFashion. Simply follow the directions below & be our friend today.

You’ll find everything from portfolio inspiration and student work to introductions and helpful tips. See cameo appearances from students, teachers, staff, and even street style gurus.

Happy snapping!

Academy of Art BFA Fashion Styling student Isabelle Eder and MA Fashion Journalism student Faye Harris collaborated on a fashion editorial entitled “Graphic Impact.” Photographed by Shan Lee, the black and white spread is featured in Harris’ Weebly magazine, What It Takes.

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

Photo courtesy of What It Takes Magazine

CREDITS—producer/stylist: Isabelle Eder, BFA Fashion Styling; photographer: Shan Lee; styling assistant: Haley Burgstahler; makeup/hair: Faye Harris, MA Fashion Journalism; model: Carly Rick at Stars Agency

This shoot was produced in the FSH 478 Editorial Styling course, and editorial content was produced by Academy of Art University MA Fashion Journalism students as part of their Fashion Journalism coursework.

Spring 2015, BFA Photography alumnus Anthony Rogers; Image Courtesy of Anthony Rogers

BFA Photography student Anthony Rogers has pursued fashion photography with passion. He realized early on in his college career his interest in both fashion and photography and tried to combine the two. He was an intern at Ford Models, did a work study as a fashion photographer for the School of Fashion’s Styling program, and worked as a freelance photographer to get his feet wet. Currently, he is creating a whole new field for himself by sustaining his work at 7×7 media and his own magazine, BobCut Mag.

Fashion School Daily: What prompted you to study photography at Academy of Art University?

Anthony Rogers: I wanted to study at Academy of Art University simply because the program had great accreditation and also for the fact that it didn’t have a portfolio entrance policy. My work was the worst when I first got here.

FSD: Your overall work seems to be focused on fashion. Is there any reason you decided to pursue fashion photography? Do you ever do other kinds of photography?

AR: I pursued fashion photography because it was the most engaging type of photography for me. I’ve been a big fan of the industry of both photography and fashion so marrying the two just worked. My work in the most recent months has moved on into fashion portraiture. So currently I’m exploring that and giving myself more freedom to create than I’ve had in other years.

FSD: What other internships or jobs have you had? Have they been all fashion related?

AR: I was an intern at Ford Models for a quick minute, a work study for the Academy of Art University Styling program and currently I’m an editorial assistant at 7×7 media. They have all had elements of fashion sprinkled through out but mainly content and media based.

7 x 7 Media office; Image Courtesy of Anthony Rogers

FSD: You’re currently interning at 7×7 Magazine. Can you tell us a little bit about the internship? What is your daily routine, what tasks do you handle? Is your internship just photography based or are you doing other things as well?

AR: Of course, I’m currently an editorial assistant at 7×7. I assist, write, proofread, shoot and fact check for the managing editor and for the CEO. As far as a daily routine, I come in, set up the blog promo’s (the overhead clickables on the site) and begin drafting posts for publication. I read 5 – 10 press releases a day and make the call on what is good for publishing and what we can skip on. I shoot for the site whenever we need better images for the story at hand or when we’re covering something exclusive.

FSD: Do you work alone or as a team? How much autonomy do you have in what you decide to work on?

AR: We work as a close knit team, I sit next to the advertising manager, diagonal from me is the managing editor, and across the way from me is the accounts receivable lead with the CEO in the next room. The team is very high profile and it makes me strive to work as hard as I can! 7×7 really values its intern’s opinions because when covering San Francisco happenings we need all hands and voices on deck to really bring light to some amazing people and places here in the city.

FSD: What is the 7×7 office like? Do you spend most of your time in the office or do you get to go out on shoots?

AR: The office is small but very warm (metaphorically) at the same time. We all get along very well and laugh, but it can be serious and super fast-paced when it needs to be. I work 9 – 5 three days out the week and when I’m not there, I’m working from home!

Anthony Rogers; Image Courtesy of Anthony Rogers

FSD: What is it like to work at a magazine? Is it how you expected, or do any aspects of the company surprise you?

AR: Working for a magazine has been really helpful for my professional life both in photography and writing. I’m learning to write editorially and learning to shoot for what they need. Working there has really helped me gain my voice in the magazine field. I’m also learning advertising and the business behind running a magazine. Great experience thus far!

FSD: What was the most challenging duty at 7X7 magazine? How did you handle it?

AR: Honestly, I can safely say nothing has been overly challenging! The managing editor (Sarah Medina) is so sweet and when I have questions she knows exactly what needs to happen and I get to ask her questions from my own curiosity as well, which makes the working environment more inviting!

FSD: What do you think the biggest takeaways from your internship are?

AR: My biggest takeaway is definitely the fact that running a magazine isn’t playtime. When choosing the thumbnail for a post, the right wording for an article or the links being opened in different windows it really dawns on you how to use the power of the internet correctly and effectively.

BobCut Magazine; Image Courtesy of Anthony Rogers

FSD: You worked freelance around the city with different magazines, clothing brands, and modeling agencies. What was the most challenging task to work as a freelancer? What tips do you have for photographers hoping to get freelance work?

AR: The biggest difficulty on freelancing is being on the hustle constantly because if I take a break then my brand also takes a break as well and in turn I lose jobs. I have to follow up, send email blasts, research more clients and constantly test. As far as my advice for photographers, always do test shoots and keep building upon your style. Do tests for lighting, do tests for backgrounds, do tests for location, studio, product and just keep building. The right clients will definitely fall into place and from there you gain credibility.

FSD: You are interested in Asian fashion and media, and are brushing up on your Korean language proficiency to pursue your work in South Korea. What sparked your interest in Asian culture, and why do you hope to work in South Korea among other Asian countries?

AR: I got really into Asian (specifically Korean media) because of the style they exude from their pictorials, photo shoots, videos and so on. Their sense of design is something I really identify with and also the culture itself as a whole intrigues me. I believe my voice in photography really amplifies with that market so I’m currently looking into relocating over there.

FSD: What is the most memorable lesson you’ve learned during your time at Academy of Art University?

AR: The most memorable lesson …Life happens. You never know what sources and leads you can get from common interaction so when I’m out and about either at work, at a client job, out with friends or networking I put my best foot forward at all times.

Bob Cut Magazine; Image Courtesy of Anthony Rogers

FSD: Where do you find your inspiration?

AR: I find inspiration mainly from media itself. And it may not be even from the content itself, it could be something that the person is wearing or what they are doing or the atmosphere. It’s hard to answer this question because I’m constantly researching and plugging ideas so inspiration is like a second nature.

FSD: How do you want to branch off further in the photography industry?

AR: Currently I run my own online publication, Bob Cut Mag, where it’s about culture and the idea of wanting to see and do more. We write, photograph, illustrate, and design articles once a week for our readers to digest whether it be about style, art, food, places, etc. In my head, I wanted Bob Cut to be another portfolio piece for me to present at job interviews, but it’s growing legs of it’s own so I’m now creating a whole new field for myself!

FSD: What is your passion? What is your ultimate goal in your career?

AR: I have a passion for creating content. I’m a photographer, a writer, an editor, a beauty fanatic and a tech geek. I have a little bit of all aspects in me. The ultimate goal would be able to sustain both my photography business and also have my magazine take in more opportunities.

FSD: What advice would you give to students hoping to get an internship at a magazine or in fashion?

AR: Be kind. Kindness goes a lot farther than cockiness. If you’re confident in what you’re trained in and are willing to keep learning, you’ll be offered internships left and right.

Written by Yuna Choi, BFA Merchandising

There’s a new app in town called Styled. This innovative app is a great tool for Academy of Art students because you can upload images and get instant feedback from your peers or other fashion lovers. Whether you are in fashion design, styling or any other fashion major, this app can definitely come in handy. If you are stuck in a fashion rut, Styled is a good place to get some inspiration.

Trending now feature from Styled.

All you have to do is upload an image such as a current collection you are working on, a styling project or a new jewelry design. Once you upload it, you are able to share it with the fashion community on Styled and receive their thoughts on your work. This is great if you want to get feedback from more than one person before you present it to your teacher. You can also tag items with its brand name and it will take you directly to the website. If you see an item that catches your eye, you are able to buy it directly through the app.

The features include a built-in camera, a live feed to see who’s capturing what and where, a section where you can follow trends and rankings to see how popular your image is. Also, it does not only have to be schoolwork related as you can share your own personal style on here! For example, you can share your OOTD and also see what other people’s styles are. You can see what’s trending in San Francisco, other countries and even the Academy of Art University.

Buy direct feature from Styled.

I would prefer being able to choose my contacts for send images to in instances when you don’t want to share with everyone. Also, they are almost like a mix between Tinder and Instagram. You can only choose between “love it” or “leave it” and comments are not possible. Having a comments section would makes this app more useful, since you can have a reason as to why someone likes your image or not. What I found unique, was that it categorizes your groups into schools, location or friends.

Styled app features.

Another plus is that Styled is free! As a styling major, I will certainly be uploading my projects I styled to get more opinions. Although, Styled is not that different to social media apps, such as Instagram or Pinterest , what captured my attention is that you can see what trends are emerging at the moment and that you can search for fashion in particular parts of the world. I find this app to be very helpful and plan on sharing my styling process frequently. We all know that as artists, feedback and critiques are very effective in order for us to improve.

By Isabelle Eder, BFA Fashion Styling

If you’ve taken a walk around the Polk building over the past weeks you’ve probably come across some posters promoting the Styling Meet Up. Well that day is almost upon us!

Tomorrow, February 10, Stylists and photographers are encouraged to come meet up at the Urban Knights Café at 655 ½ Sutter street. What is better than the chance to meet people and make plans build up each other’s portfolios? Kick off the collaboration process by networking with some fellow students.

The event will be held from 4 to 5:30 p.m. Don’t forget to bring your business cards and portfolios. We hope to see you there!

Are you dreaming of styling an editorial photo shoot with a top-notch production team at an exceptional location? You will get the chance on April 4 at the Apple store in Union Square, San Francisco. Academy of Art University Fashion Styling students, alumni, and faculty will discuss the creative process of crafting a fashion image, from concept, styling development, creating a creative team, to the rundown of the photo shoot day.  Flore Morton, Associate Director of the School of Fashion, and […]

The post Today at Apple: Fashion Styling Photo Lab on April 4 appeared first on Fashion School Daily.

Since its launch in 2013 in collaboration with the School of Photography, the Fashion Styling Meet-up event became the must-attend bi-annual rendez-vous for aspiring stylists and photographers. Styling students were able to meet and build their network to produce fashion photoshoots for their classes or personal projects. Teaming up with students from other majors improved the production quality of their fashion photography at the industry level while still at school. Models, makeup artists, hairstylists are also invited to collaborate with styling students, […]

The post Fashion Styling Meet-up | Fall 2019 appeared first on Fashion School Daily.

The atmosphere in the atrium at 625 Polk St was buzzing with conversation and laughter as fashion students from the Styling, Design, and Journalism degrees met with photographers, models, and makeup artists on a September afternoon. The energy was palpable, and budding collaborations were being born by the minute.  The bi-annual meetup event, organized by Flore Morton, Associate Director of the School of Fashion and lead faculty for the Fashion Styling program, with support from John Vano, instructor at the […]

The post The Power of Collaboration appeared first on Fashion School Daily.

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By Annet Katan, MA Art Direction Nothing says “back to normal” like a return of the biannual Styling meetup that took place on September 15th in the atrium at 625 Polk Street, organized by Flore Morton, Associate Director of the School of Fashion. The atmosphere was incredible, and it finally feels like 2019 again – students are networking, connecting, and finding talents to collaborate with on upcoming projects, which is highly rewarding and can produce great results. For some students, […]

The post The wait is over! The Styling Meetup is back! appeared first on Fashion School Daily.

Academy of Art U Fashion School Daily RSS feed from fashionschooldaily.com

By Annet Katan, MA Art Direction Nothing says “back to normal” like a return of the biannual Styling meetup that took place on September 15th in the atrium at 625 Polk Street, organized by Flore Morton, Associate Director of the School of Fashion. The atmosphere was incredible, and it finally feels like 2019 again – students are networking, connecting, and finding talents to collaborate with on upcoming projects, which is highly rewarding and can produce great results. For some students, […]

The post The wait is over! The Styling Meetup is back! appeared first on Fashion School Daily.